Gossip Girl

A very amusing post on Gossip Girl at The Millions, though I question Garth Risk Hallberg's assertion that GG is less of a "cultural touchstone" for the generation currently in college than it is for the thirty-something set.

I also used Gossip Girl as a sort of pedagogic panacea this summer, when I conducted a mini-course at a summer camp for high schoolers. It worked remarkably well, although, like Garth, I have never seen an episode (and unlike Garth, I could not have named with such precision any character from the show). If attention flagged, I would throw in a reference to Gossip Girl, usually something vague and referring to its popularity.

The most amusing translation of a literary reference into a pop cultural reference that I encountered as an undergraduate was in a course I took my freshman year on the Romantic poets. Our professor re-worked the Shelley-Wordsworth generational battle (best expressed in the very direct Shelley poem "To Wordsworth") as a series of cartoon strips replacing Shelley with the rapper Nas and Wordsworth with Jay-Z. (Speaking of Jay-Z, has anyone figured out yet if the Brits call him "Jay-Zed" or not?) The professor promised us a follow-up series starring Byron as Puff Daddy, but I don't think she ever got around to that one.

Comments

I speak for all Brits when I say: we call him Jay-Zee. By a simialr logic we refer to Nicolah (not Nicholas) Sarkozy.
deemikay said…
Likewise for Scots - we say Jay-Zee...

But do Brits really say Nicolah Sarkozy? With that "s" on the surname it would be quite hard to detect its absence from the first name...
Andrew said…
Ah. Darn. I think Jay-Zed sounds so much better, like a robot, but in a good, produced-by-Kanye-West way.

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